The Baltimore Waltz
This is partly due to a crucial piece of miscasting. Catering to Anna's needs and sometimes absenting himself when her needs don't include him, Carl visits museums and, carrying a stuffed rabbit wherever he goes, has at least one homosexual encounter: He and a stranger also armed with rabbit (Webb yet again) euphemistically pat each other's pets.Europe and its hotel rooms are conjured by a few beds and tables that set designer Neil Patel includes.
FEE: $100 per performance. serve as shorthand to suggest landmark locales.
Qty: Full Length, Comedy/Drama 2 men, 1 woman (doubling) Total Cast: 3, Flexible Set ISBN-13: 9780822213598. The Baltimore Waltz by Paula Vogel Directed by Troy Johnson March 6 – April 5, 2020 (Main Stage Series) CANCELLED for COVID-19. Thomas’ Carl is intelligent, witty and frustrated with his sister, whom he feels is wasting her last moments on earth. Club members can see a different show every night of the week! (A rough translation of "todesrocheln" is "death rattle," an indication of the often darkly humorous style of this fictional memoir.) Packing their bags, Carl and Anna head toward Austria but not before making stops along the way in France, The Netherlands and Germany.The journey is episodic, satirical, and fueled by frenzy. The Baltimore Waltz may be spunky, but its goofball verve exists alongside waves of nostalgia, loss and grief that cascade over you in the final scenes.Bennett Campbell Ferguson is a Portland-based journalist and film critic. In the first act, we learn she is an elementary school teacher who has contracted a probably fatal (and totally fictional) ailment called Acquired Toilet Disease, also known as ATD. The hilarious stereotypes that she encounters include a French waiter (Jeremy Webb, who also plays the doctors giving Anna the bad news), a German virgin (Webb again) and a Dutchman with a dike-saving story to tell (an even wilder-eyed Webb).
In the play, the declared reason for the trip is to locate a Viennese urologist, Dr. Todesrocheln, who's experimenting with a cure tied to drinking one's own urine. Stay abreast of discount offers for great theater, on Broadway or in select cities.By signing up you are confirming you are 16 or over. The Baltimore Waltz By Ada Calhoun Denial, anger, depression, and the rest of the cards in death expert Elizabeth Kübler-Ross’s deck are dealt out in sequence by Kristen Johnston’s Anna. The craftiness of the play lies in Vogel's response to the "Why wasn't I the one?" And Schoppe is right at home in the heart of the piece, serving as Waltz’s timid, sometimes unreliable narrator. Using projections of everything from the Eiffel Tower to scenery speeding by outside train windows, Cline smoothly whisks us from the United States to France, Germany and Austria, making the play a seductive and immersive travelogue. This Baltimore Waltz boasts a superb cast: Harner slips in and out of each character with the greatest of ease, making each one memorable. “The Baltimore Waltz” prances in circles around its subject, which is the death of playwright Paula Vogel’s brother, Carl, in 1988. Still, there are enough truthful and/or funny moments to keep the funereal soufflé from collapsing. The journey is based on Vogel's chosen comedic principle: Don't understate when you can exaggerate. THE BALTIMORE WALTZ by Paula Vogel WINNER OF THE 1992 OBIE AWARD 2M, 1W (doubling) THE BALTIMORE WALTZ BY PAULA VOGEL ‘When Anna, an unmarried schoolteacher, is diagnosed with ATD, Ac- quired Toiler Disease, a fatal new malady with a high risk factor for clementary school teachers, she and her brother Carl take flight to Europe. The Baltimore Waltz is conceived in a way which might have allowed it to join the other great myths we use to help us apprehend the Endless No, but it is not there yet. In one interlude, Carl insists on showing slides of the journey; most of the photographs, as Vogel's stage directions require, are of Baltimore spots, underscoring the bittersweet point that the playwright never did accompany brother Carl to Europe. "The Baltimore Waltz" must now stand up to less emotionally inflected scrutiny and, sadly, it often sags.
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