ben stone singer
"But then when Don would sing his solos on the bridges of those songs, oh, my God, they would transport you. It is ageless, timeless and has no race. She introduced R&B to New Wave with Eurythmics, and in her solo career, she invented a sort of New Age soul, based around shimmering synths, horn blasts and, most important, layer upon layer of that voice. So we take the church to them." Sign Up.
"Karen Carpenter had a great sound," John Fogerty once told "Anybody my age turning on MTV and seeing Annie Lennox sing 'Sweet Dreams' — that was enough right there," says Rob Thomas.
"Other than Robert Plant, there's no singer in rock that even came close to Steve Perry," says Drawing inspiration from the most aggressively carnal moments of Mick Jagger, Elvis Presley and Jim Morrison, Iggy Pop's force-of-nature vocals with the Stooges invented the snarling style that came to define punk rock. But technical skill alone doesn't make for hits, and Carey's radiant, sweetly sexy presence has been knocking them out of the park for two decades. Her voice is so specific and such a new color.
"You try to be authentic as a person, with all the doubt, wonder and mystery of being alive." Basic XING membership is free and always will be. There is something about Levon Helm's voice that is contained in all of our voices. "I took that literally. A song like "Mannish Boy" is to the blues what "Purple Haze" is to rock. " After his run of hits with the Animals ("It's My Life," "Don't Let Me Be Misunderstood") ended, Burdon showed he could handle Seventies funk during his stint in War, recording the torrid "Spill the Wine" and a souled-out version of "Tobacco Road." We would like to show you a description here but the site won’t allow us. "His voice had a certain glorious anguish that spoke to people on many emotional levels," says Daryl Hall, who briefly recorded and performed with Ruffin in the Eighties. "Singing allows me to express all the mysteries hidden inside," he once said. Stone's vocals mutated from the wild exuberance of "Dance to the Music" to hazy isolation on Merle Haggard's tough but smooth baritone epitomized Sixties and Seventies country, from the stubborn attack of "Okie From Muskogee" and "The Fightin' Side of Me" to the delicate crooning on "Silver Wings" and "If We Make It Through December." He can pop in for sensitive moments, such as in between Manuel's vocals in "Whispering Pines." "He's the embodiment of breaking through and keeping your spirit.
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