robin day design

His Polo Chair (1975) with its distinctive drainage/ventilation holes was another important addition to the Polypropylene Chair family. In close collaboration with the Robin and Lucienne Day Foundation, Case revisited the original design and faithfully reinstated, in the 2014 chair, the element and detail of the 1952 original.
Day won a scholarship to his local art school in the early 1930’s and worked for a brief period in a local furniture factory before going to the Royal College of Art after receiving a Royal Exhibition Scholarship. His aim was to solve practical problems in the most rigorous, efficient and cost-effective way. Examples from 1973 can be seen in the nave seating at Robin Day was a man of many talents and worked in an unusually wide range of disciplines.
As well as selling the Polypropylene Chair, Habitat reissued new versions of two of Day's earlier designs, the Forum Settee (1964) in 1999 and the 675 Chair (1952) in 2000. People often think that mere newness is innovation, but it isn't.’Robin and Lucienne Day's post-war design achievements were brought back into the limelight in 1991 in a major international exhibition called The New Look: Design in the Fifties at Manchester City Art Gallery.An exhibition of Lucienne Day's textiles and Robin Day's furniture, "Robin and Lucienne Day: Design and the Modern Interior", was held between 26 March and 26 June 2011 at In 2015 The Robin and Lucienne Day Foundation celebrated Robin Day’s centenary year with the exhibition Robin Day Works in Wood, which was shown at the V&A Museum as part of the A documentary film called Contemporary Days: The Designs of Robin and Lucienne Day, directed by Murray Grigor for Design Onscreen, was completed shortly before Robin Day's death in 2010.This article is about the designer. A minimalist frame was also adopted for the 675 Chair (1953), a dining chair with a slender floating moulded plywood seat back. In 1950 he began work for the manufacturer Hille, helping to take the company to new heights as its design consultant. Robin Day OBE (1915 - 2010) and his wife Lucienne Day, furniture and print designers, are amongst the most acclaimed and influential British designers from the post war era, often put on a par with their American contemporaries, Charles and Ray Eames.. Robin Day was born in High Wycombe in 1915, the son of a police constable. His designs have been used in many prestigious locations including auditorium seating for the Barbican Art Centre and Royal Festival Hall in London, the Gatwick Bench in the Tate Britain, and 1990s Toro and Woodro seating on the London Underground, as well as for theatres, airports, stations and sports stadiums worldwide.In 1983 he was awarded his OBE and was appointed a senior fellow at the Royal College of Art an Honorary fellow of the RIBA.Together, Robin and Lucienne Day transformed British design after World War II with striking furniture and textiles that signalled a new era of modernist sensibilities for everyday living. Day later created a range of lightweight polypropylene shell chairs for schools called Series E (1971), produced in five different sizes with an oval hole in the back. © 2020 - Case Furniture Ltd. Case Furniture Ltd. is registered in England & Wales.

‘Things should be made because they are better and with regard to the limited resources of the planet, so they should be re-usable and long-lasting. His influential furniture designs introduced materials such as plywood, steel and plastic into the modern design world. His wife Lucienne Day, née Conradi was a renowned textile designer. He will of course be best remembered for his polypropylene moulded stacking chairs which have sold around 50 million units since the launch of the Poly side chair in 1963 but Robin’s achievements and his influence on postwar modernism go much further than that. ABOUT ROBIN DAY.

Supported on tubular aluminium legs, the cabinets were compact and flexible, with sliding doors, interchangeable shelf and drawer fittings and a writing desk with a drop-down flap.Day's success in the MOMA competition brought him to the attention of Day's ingenuity was also evident in the two open-plan living room / dining room settings he created for the Homes and Gardens Pavilion at the Festival of Britain. Robin Day, OBE, RDI, FCSD was one of the most significant British furniture designers of the 20th century, enjoying a long career spanning seven decades.

In 2009 it was selected by Royal Mail to appear on a postage stamp as one of eight designs in a 2009 series celebrating "British Design Classics".Both the Polypropylene Chair and the Polypropylene Armchair (1967) were designed to accommodate a wide range of different bases.

Day met his future wife, Lucienne Conradi, in 1940 at a dance at the RCA,After the Second World War, Robin Day taught interior design at the Regent Street Polytechnic (now the Although the war had impeded Day's ambition to become a furniture designer, his fortunes changed in 1948 when he and Clive Latimer won First Prize in the Storage Section of the International Competition for Low-Cost Furniture Design organised by the Museum of Modern Art in New York. He was a furniture designer, best known for his innovative design of the Polyprop Chair in 1963, although this was not his only recognised design.

For the broadcaster, see Design Consultancy for John Lewis Partnership and BOAC (1940s-1970s)Design Consultancy for John Lewis Partnership and BOAC (1940s-1970s)

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