giorgio moroder donna summer
Profuse with glass ornaments, the living room’s predominantly white décor floats somewhere between , that ’70s period piece in which Dudley Moore plays an L.A.-based songwriter undergoing a midlife crisis. Auf Discogs können Sie sich ansehen, wer an 1980 Dolby Cassette von Walk Away Collector's Edition (The Best Of 1977-1980) mitgewirkt hat, Rezensionen und Titellisten lesen und auf dem Marktplatz nach der Veröffentlichung suchen. “Jimmy told me he became a singer ’”—he imitates Summer’s helium-high soprano—“and he said, ‘That’s my career!’” Another gay musician propelled on his journey by “I Feel Love” was the producer . She would then lay down her vocal in just one or two takes.
One such pop altering single that was felt as a real-time future-shock is “I Feel Love.”Released 40 years ago, in early July 1977, “I Feel Love” was a global smash, reaching No. Share. “I’ve sung gospel and Broadway all my life and you have to have a belting voice for that,” Summer told in 1978. At the same time, the 73-year-old self-described recluse is clearly proud of the achievements in which he played an indispensable role. Neil Bogart, boss of the legendary disco label Casablanca, had asked Moroder to extend the song to a full album side because—the story goes—he wished to soundtrack an orgy. Moroder and Bellotte both pay tribute to Summer’s intuitive feeling for what a song required. “This single is going to change the sound of club music for the next 15 years.”In the wake of “I Feel Love,” Giorgio Moroder became a name producer, the disco equivalent of Phil Spector. Pete Bellotte and Giorgio Moroder backstage at the taping of a Donna Summer concert circa 1977 in Los Angeles. Autumn Changes (5:30) B2. After the movie’s hostile reception in 1984, he drifted away from music for many years, putting his energy and resources into quixotic ventures like the Moroder-Cizeta luxury sports car and a scheme to build a pyramid in Dubai. I’m not even a soul singer. Illustrations by Martine Ehrhart.There are songs that divide pop history into Before and After. Summer’s of “I Feel Love” sometimes played up this android aspect: ’s Mikal Gilmore described her dancing “in angular, jerky motions,” her face “a dazed, mechanical mask.” Many rock fans and critics seemed to believe that the electronic Eurodisco pioneered by Moroder and his team was actually robot music that literally played itself. As Vince Aletti puts it, “It’s like she’s coming from some other place.”The song’s feeling of suspension from time, of being lost in a loop of ecstasy or reverie, also comes from the incredibly simple and short lyric, in which phrases like “heaven knows” or “fallin’ free” are each repeated five times. “They categorize me as a black act, which is not the truth. Photo by Harry Langdon/Getty Images.Donna Summer performing in Paris in 1977. Wedel also showed Moroder and Bellotte how to turn Moog noise into percussion by clipping it. But Blondie themselves were converts to the new sound. Summer was a firm believer in the oracular power of horoscopes and had once cancelled a private jet chartered by her manager because of a last-minute warning from her astrologer that she shouldn’t fly. Since came out, he’s released his first solo album in 23 years, 2015’s , teeming with collaborations with contemporary pop stars like Sia and Charli XCX.
4 in the UK, and went Top 20 in 13 other nations in 1976.
Tracklist A1. Donna Summer Hot Stuff (1979) Moroder, British co-producer Pete Bellotte and Donna Summer met in …
“So when Donna flew back to Munich to record the vocal, that was the feeling she gave the song.”That real-life, slightly kooky, and very ’70s story brings a human dimension to the genesis of this technologically turbo-charged track. Progressive jazz-rock veterans Soft Machine, of all people, released the Moroder-style single “ underpinned several of their singles with clinical Eurodisco pulse-work.
“Neither Giorgio nor I can dance,” laughs Bellotte. “When she came downstairs, Donna announced that her astrologer had told her ‘this is the man.’ That was the night ‘I Feel Love’ was written: When she’d changed her whole life. 1978’s —another themed album, with a narrative updating the Cinderella story to the modern metropolis—dedicated the second of its four sides to synths. ,” Moroder enthuses. Forsey recalls “I Feel Love” as the start of a period in which Moroder recorded each drum in the kit individually for complete separation of sound: This “totally clean sound, no bleed through, no overheads, no room sound” had more impact on the dancefloor. Running for Cover (4:01) B1. But Moroder is now an in-demand DJ: When we speak at his Westwood apartment, he’s just about to head off to play a string of dates.
“So Robbie explained that because of the signal he’d put on track 16 of the tape, each part of the tune created on the Moog will link up to exactly the same tempo. Photo by Michael Ochs Archives/Getty Images.Donna Summer circa 1978.
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